Vikipedi

I Lombardi alla prima crociata: Revizyonlar arasındaki fark

Etkileşimli olarak geçmişe göz at
[kontrol edilmiş revizyon][kontrol edilmiş revizyon]
← Önceki sürümle aradaki farkSonraki sürümle aradaki fark →
İçerik silindi İçerik eklendi
GörselVikimetin
Noyder (mesaj | katkılar)
34.095 değişiklik
Değişiklik özeti yok
1. satır:
{{Opera bilgi kutusu
|isim = ''I Lombardi'' lla prima crociata
|Orjinalbaşlık = '''I Lombardi'''
| image = [[Dosya:Lombardi Partenza.jpg|180px]]<br/>Lombardlar'in ülkelerinden ayrılmaları
|orjinaldil = [[İtalyanca]]
|Müzik =
|Libretto = [[Temistocle Solera]]
|image = [[File:Lombardi Partenza.jpg|200px]]
|prömiyer = [[11 Şubat]] [[1843]]
|ilkgösterilenyer = [[Teatro alla Scala]], [[Milano]]
|perdesayısı = 4
|oyuncular =
* Arvino, ''Lord Folco'nun oğlu'', [[tenör]]
* Pagano/Münzevi keşiş, ''Lord Folco'nun oğlu'', [[bas (insan sesi)|bas]]
* Viclinda, ''wife of Arvino'nun karisı'' [[soprano]]
* Giselda, ''Arvino'nun kızı'', soprano
* Oronte, ''Antakya Emiri'nin oğlu'' tenor
*[[Yağı-Sayan]]/Acciano, ''Antakya Emiri'' |tenor
* Sofia, ''Yağı-Sayan'ın karısı'' soprano
* Pirro, ''Arvino'nun gençc uşağı'' bas
* colspan="3"|''Milano'da köylüler; saray muhafızları, Hristiyan hac ziyaretçileri, rahibeler, eşkiyalar, harem kadınları, savaşcılar -Koro''
}}
 
[[Dosya:Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration.jpg||thumb|200px|G. Verdi'nin "I Lombardi" operasının libretto 1843 metnini baskısının kapağı]]
'''I Lombardi alla Prima Crociata''' (Lombardlar Birinci Haçlı Seferinde), [[Giuseppe Verdi]]'nin ilk gösterimi 11 Şubat 1843 tarihinde [[Milano]] [[Teatro alla Scala]]'da yapılan dört perdelik opera çalışmasıdır. [[Tommaso Grossi]]'nin [[epik]] şiirinden esinlenerek yaratılan bu çalışmanın İtalyanca [[libretto]]sunu [[Temistocle Solera]] yazmıştır.<ref>Julian Budden|Budden, Julian (1984), ''The Operas of Verdi, Volume 1: From'' Oberto ''to'' Rigoletto. London: Cassell, 1984. ISBN 0-304-31058-1</ref>
 
'''I Lombardi alla Prima Crociata''' (Lombardlar Birinci Haçlı Seferinde), [[Giuseppe Verdi]]'nin ilk gösterimi 11 Şubat 1843 tarihinde [[Milano]] [[Teatro alla Scala]]'da yapılan dört perdelik opera çalışmasıdır. [[Tommaso Grossi]]'nin [[epik]] şiirinden esinlenerek yaratılan bu çalışmanın İtalyanca [[libretto]]sunu [[Temistocle Solera]] yazmıştır.
 
== Roller ==
 
[[Dosya:Prosper Dérivis 1835.jpg|thumb|200px|1843 prömiyer temsilinde Pagano rolunu alan "Prosper Dérivis"]]
[[Dosya:Carlo Guasco.jpg|thumb|200px|1843 prömiyer temsilinde Oronte rolunu alan "Carlo Guasco"]]
[[Dosya:Erminia Frezzolini.jpg|thumb|200px|1843 prömiyer temsilinde Giselda rolunu alan "Erminia Frezzolini"]]
 
{| class="wikitable"
!Rol
!Ses tipi
!Prömiyer, 11 Şubat 1843<br>(Orkestra şefi:Eugenio Cavallini] )
|-
|Arvino, ''Lord Folco'nun oğlu''
|[[tenör]]
|Giovanni Severi
|-
|Pagano/Münzevi keşiş, ''Lord Folco'nun oğlu''
|[[bas (insan sesi)|bas]]
|Prosper Dérivis
|-
|Viclinda, ''Arvino'nun karisı''
|[[soprano]]
|Teresa Ruggeri
|-
|Giselda, ''Arvino'nun kızı''
|soprano
|Erminia Frezzolini
|-
|Oronte, ''Antakya Emiri'nin oğlu''
|tenor
|Carlo Guasco
|-
|[[Yağı-Sayan]]/Acciano, ''Antakya Emiri''
|tenor
|-
|}
 
== Konu özeti <ref name="budden">Kaynak: Budden, Julian (1984), ''The Operas of Verdi, Volume 1: From Oberto to Rigoletto''. Londra: Cassell ISBN 0-304-31058-1 {{ing}}</ref>==
 
Mekan: Milano, Antakya ve civarı, Kudüs <br/>
Zaman: 1096 - 1097
 
=== I. Perde ===
 
====Sahne I.1: Milano'da Sant'Amriglio Kilisesi dışında bir meydan====
<!--
The two sons of Lord Folco, Pagano and Arvino, are reconciled, having previously feuded over which man would win the hand of Viclinda. Pagano, who once threatened the life of his brother, has returned from exile. A throng gathers in front of the church of Sant'Ambrogio to celebrate. Viclinda, now Arvino's wife, and their daughter Giselda are on hand to witness the reconciliation. A crusade to the Holy Land is announced and Arvino is to lead it. Pagano secretly vents his enduring frustration to Pirro, Arvino's squire: he still desires Viclinda (Sciagurata! hai tu creduto / "Wretched woman! Did you believe that I could forget you..."). As nuns sing in the background, Pirro and a gang of cut-throats agree to help Pagano take Viclinda for himself.
-->
====Sahne I.2: Folco Sarayı====
<!--
Viclinda and Giselda are concerned about Pagano and his supposed reformation. Arvino asks them to watch his elderly father, Lord Folco, who is spending the night in Arvino's chambers. Giselda prays (Aria: Salve Maria / "Hail Mary!"). Pirro and Pagano and their assassins storm the palace. Pagano draws his sword and enters Arvino's chambers. He emerges with a bloody sword and with Viclinda in his custody. Arvino suddenly appears and Pagano is shocked to learn that in the darkness he has killed his father, not his brother (Orror! / "Horror! Dreadful monster of Hell..."). A throng calls for Pagano's death, but Giselda protests against more bloodshed. So Pagano is once again sent into exile.
-->
 
=== II. Perde ===
 
==== Sahne II.1: Antakya'da Yağı-Sayan sarayında ====
<!--
Acciano and representatives from surrounding territories plot their continued resistance to the marauding crusaders. They have captured Giselda, who is now held captive within Acciano's harem. Sofia, Acciano's head wife and a secret Christian, enters with her son Oronte. Oronte has fallen in love with the captive Giselda (Aria: ''La mia letizia infondere'' / "Would that I could instill my gladness into her dear heart"). As Oronte sings of his love, Sofia sees Giselda as a means of converting her son to Christianity (''Come poteva un angelo'' / "How could Heaven create an angel so pure").
-->
==== Sahne II.2: Antakya dışında bir mağarada====
<!--
 
A hermit waits for the arrival of the crusaders. A man appears at the cave and asks the hermit how he may receive forgiveness for his past sins. The man is Pirro, who has become a confidante of Acciano and now controls the gates of Antioch. The hermit counsels Pirro that he will achieve forgiveness if he opens the gates to the approaching crusaders. Thereafter, the crusaders, led by Arvino, appear at the cave. The hermit learns that Arvino's daughter has been captured by Acciano. The hermit assures them that they will succeed in taking Antioch.
-->
==== Sahne II.3 : Yağı-Sayan'ın haremi
 
<!---
 
The members of the harem sing of Giselda's luck in attracting the attentions of Oronte. As Giselda prays (Aria: ''Oh madre, dal cielo'' / "O mother, from heaven hear my lament") sudden shouts warn that the crusaders have invaded Antioch. Sofia rushes in to say that both Acciano and Oronte have been killed. Arvino enters with the hermit. Sofia identifies Arvino as the murderer of her husband and son. Giselda is horrified and recoils at her father's attempted embrace. She declares that this crusade was not the will of God. Arvino draws his sword and threatens to kill her for her blasphemy, but he is stopped by the hermit and Sofia. Arvino declares that his daughter has gone mad.
-->
 
=== III. Perde ===
 
====Sahne III.1 : Jehoshaphat Vadisi. Kudüs uzaktan görünmekte ======
 
<!--
The crusaders, joined by Christian pilgrims, sing of the beauty of Jerusalem and the Holy Land. Giselda has wandered away from her father's camp. Suddenly, Oronte appears! He was merely wounded, not killed, by Arvino's sword. Giselda and Oronte decide to flee together (Duet: ''Oh belle, a questa misera'' / "O Lombard tents, fair to this unhappy girl, farewell!").
-->
==== Sahne III.2: Arvino'nun çadırı====
<!--
Arvino rages against his daughter's betrayal. Soldiers arrive to tell him that Pagano has been seen in camp and they call for his capture and death. Arvino agrees.
-->
 
==== Sahne III.3 : Ürdün Nehiri yakınında bir mağara====
 
<!--
After a violin prelude, Giselda and Oronte appear. Oronte has been wounded and Giselda bitterly laments God's cruelty. The hermit appears. He tells Giselda and Oronte that their love is sinful but may be purified by Oronte's conversion and baptism. The hermit completes the baptism, and Giselda laments as Oronte dies from his wounds, promising to see her in heaven (Trio: ''Qual voluttà trascorrere'' / "What wondrous pleasure I feel").
-->
 
=== IV. Perde ===
==== Sahne IV.1 Kudüs yakınlarında bir mağara ====
<!--
As Giselda dreams, Oronte appears to her in a vision and tells her that God has granted his prayer: the crusaders will find strength in the waters of the fountain of Siloam (Aria: ''In cielo benedetto'' / "Through you, Giselda, I am blessed in heaven"). Giselda wakes and sings of her miraculous vision (Aria: ''Qual prodigio . . . Non fu sogno!'' / "A miracle!... It was not a dream").
 
-->
==== Sahne IV.2: The Lombardlar çadırları====
 
<!--
The crusaders and pilgrims are despairing that God has abandoned them in the desert (''O signore, dal tetto natio'' / "O Lord, Thou dids't call us"). Giselda rushes in, announcing the discovery of a spring of water. As all rejoice, Arvino assures his crusaders of his confidence that they will now take Jerusalem.
-->
 
==== Sahne IV.3: Arvino'nun çadırı ====
<!--
Dying from wounds, the hermit is brought in by Giselda and Arvino. The hermit reveals that he is really Pagano. In his dying moments, he confesses to Arvino his penitence for their father's murder and begs forgiveness. Arvino embraces his brother, and Pagano asks for a final view of the Holy City. As Jerusalem appears in the distance, Pagano dies, and the crusaders praise heaven (''Te lodiamo, gran Dio di vittoria'' / "We praise Thee, great God of Victory").
 
== Müziksel parçalar==
 
=== I. Perde===
 
* 1 Prelüd
* 2 Uvertür
** ''Oh nobile esempio!'' (Koro) <small>I.1. Sahne</small>
** ''Qui nel luogo santo e pio'' (Pagano, Arvino, Viclinda, Giselda, Pirro, Koro) <small>Sahne:I.2</small>
** Quintetto ''T'assale un tremito!... - sposo, che fia?'' (Viclinda, Giselda, Arvino, Pagano, Pirro) <small>Scena II</small>
** Seguito dell'Introduzione ''Or s'ascolti il voler cittadino!'' (Priore, Arvino) <small>Scena II</small>
** Stretta dell'Introduzione ''All'empio che infrange la santa promessa'' (Viclinda, Giselda, Pirro, Arvino, Pagano, Coro) <small>Scena II</small>
* 3 Koro ve Pagano aryasi
** Coro ''A te nell'ora infausta'' (Coro interno di Claustrali) <small>Scena III</small>
** Recitativo ''Vergini!... il ciel per ora'' (Pagano) <small>Scena IV</small>
** Aria ''Sciagurata! hai tu creduto'' (Pagano) <small>Scena IV</small>
** Tempo di mezzo ''Molti fidi qui celati'' (Pirro, Pagano) <small>Scena IV-V</small>
** Coro ''Niun periglio il nostro seno'' (Coro di Sgherri) <small>Scena V</small>
** Cabaletta ''O speranza di vendetta'' (Pagano, Coro) <small>Scena V</small>
* 4 Recitatif ve Ave Maria
** Recitativo ''Tutta tremante ancor l'anima io sento...'' (Viclinda, Arvino, Giselda) <small>Scena VI</small>
** Preghiera ''Salve Maria'' (Giselda) <small>Scena VI</small>
* 5 I. Perde Finali
** Scena ''Vieni!... già posa Arvino'' (Pirro, Pagano, Viclinda, Arvino) <small>Scena VII-VIII-IX</small>
** Finale I ''Mostro d'averno orribile'' (Pagano, Pirro, Viclinda, Arvino) <small>Scena IX</small>
** Seguito del Finale ''Parricida!... E tu pure trafitto'' (Arvino, Giselda, Pagano, Pirro, Coro) <small>Scena IX</small>
** Stretta del Finale ''Ah! sul capo mi grava l'Eterno'' (Pagano, Pirro, Viclinda, Arvino, Coro) <small>Scena IX</small>
 
 
=== II. Perde===
* 6 Uvertür
** Coro ''È dunque vero?'' (Ambasciatori, Acciano, Coro) <small>Scena I</small>
* 7 Cavatina di Oronte
** Scena ''O madre mia, che fa colei?'' (Oronte, Sofia) <small>Scena II</small>
** Cavatina ''La mia letizia infondere'' (Oronte) <small>Scena II</small>
** Tempo di mezzo ''Oh! ma pensa che non puoi'' (Sofia, Oronte) <small>Scena II</small>
** Cabaletta ''Come poteva un angelo'' (Oronte, Sofia) <small>Scena II</small>
* 8 Scena, Marcia dei Crociati e Inno
** Scena ''E ancor silenzio!'' (Pagano) <small>Scena III</small>
** Adagio ''Ma quando un suon terribile'' (Pagano) <small>Scena III</small>
** Scena e Marcia ''Ma chi viene a questa volta?'' (Pagano, Pirro) <small>Scena III-IV-V</small>
** Duettino ''Sei tu l'uom della caverna?'' (Arvino, Pagano) <small>Scena V</small>
** Inno ''Stolto Allah... sovra il capo ti piomba'' (Coro) <small>Scena V</small>
* 9 Coro
** Coro ''La bella straniera che l'alme innamora!'' (Coro nell'Harem) <small>Scena VI</small>
* 10 Finale II
** Scena ''Oh madre, dal cielo soccorri al mio pianto'' (Giselda) <small>Scena VII</small>
** Rondò ''Se vano è il pregare che a me tu ritorni'' (Giselda, Sofia, Pagano, Arvino, Coro) <small>Scena VII-VIII</small>
** Stretta del Finale ''Ah taci, incauta!'' (Pagano, Arvino, Giselda, Coro) <small>Scena VIII</small>
 
 
=== III. Perde===
 
* 11 Uvertür
* Coro della Processione ''Gerusalem... Gerusalem... la grande'' (Coro) <small>Sahne:III.1</small>
* 12 Recitativo e Duetto di Giselda e Oronte
** Recitativo ''Dove sola m'inoltro?'' (Giselda, Oronte) <small>Sahne:III.2 ve 3</small>
** Duetto ''O belle, a questa misera'' (Giselda, Oronte) <small>Sahne:III.3</small>
* 13 Scena e Aria di Arvino
** Scena ''Che vid'io mai?...'' (Arvino) <small>Sahne:III.4</small>
** Aria ''Qual nuova? - Sì!... del ciel che non punisce'' (Arvino, Coro) <small>Sahne:III.5</small>
* 14 Scena e Terzetto
** Scena ''Qui posa il fianco!...'' (Giselda, Oronte, Pagano) <small>Sahne:III.6 ve 7</small>
** Terzetto ''Qual voluttà trascorrere'' (Oronte, Giselda, Pagano) <small>Sahne:III.7</small>
 
 
=== IV. Perde===
 
* 15 Uvertür
** Scena ''Vedi e perdona!'' (Giselda, Pagano, Arvino) <small>Sahne:IV.1</small>
* 16 Visione
** Coro ''Componi, o cara vergine'' (Coro di Celesti) <small>Sahne:IV.2</small>
** Visione ''Oh! di sembianze eteree'' (Giselda) <small>Sahne:IV.2</small>
** Aria ''In cielo benedetto'' (Oronte) <small>Sahne:IV.2</small>
** Aria ''Non fu sogno!... in fondo all'alma'' (Giselda) <small>Sahne:IV.2</small>
* 17 Finale ultimo
** Coro ''O Signore, dal tetto natio'' (Crociati, Pellegrini, Donne) <small>Sahne:IV.3</small>
** Scena ''Al Siloe! al Siloe!'' (Coro, Giselda, Arvino) <small>Sahne:IV.3 ve 4</small>
** Inno ''Guerra! guerra! s'impugni la spada'' (Coro) <small>Sahne:IV.4</small>
** Scena ''Questa è mia tenda...'' (Arvino, Giselda, Pagano) <small>Sahne:IV.5</small>
** Terzettino ''Un breve istante'' (Pagano, Giselda, Arvino) <small>Sahne:IV.5</small>
** Inno finale ''Dio pietoso!... di quale contento'' (Pagano, Arvino, Giselda, Coro) <small>Sahne:IV.6</small>
 
 
== Seçilmiş ses ve video kayıtı <ref>Kaynak: "Operadis-opera-discography" websitesinde "recordings of I Lombardi by Giuseppe Verdi" [[http://www.operadis-opera-discography.org.uk/CLVELOMB.HTM]]</ref>==
 
=== Seçilmiş ses diskleri ===
 
{| class="wikitable"
! Yayım yılı
! Kayıt tarihi ve yeri
! width="180"|Roller<br/>(Arvino, Pagano, Viclinda, Giselda, Oronte)
! Orkestra şefi ,<br/>Operaevi, orkestra ve koro
! Marka
|-
|-
|| 1951
|| RAI, Milano
|| Aldo Bertocci,<br/>Mario Petri,<br/>Miriam Pirazzin,<br/>Maria Vitale,<br/>Gustavo Gallo
|| Manno Wolf-Ferrari,<br/>RAI di Milano SEnfoni Orkestrasi ve Korosu
|| Audio CD: Warner Fonit
|-
|| 1969
|| Roma
|| Umberto Grilli<br/>Ruggero Raimondi<br/>Anna di Stasio<br/>Renata Scotto,<br/>Luciano Pavarotti
|| Gianandrea Gavazzeni,<br/>Rome Opera Orkestrasi
|| Audio CD: Opera D'oro <br/> ASIN: B00000FBRS
|-
|| Londra
|| 1971
|| Jerome Lo Monaco<br/>Ruggero Raimondi<br/>Desdemona Malvisi<br/>Cristina Deutekom,<br/>Plácido Domingo
|| Lamberto Gardelli,<br/>Royal Filarmonik Orkestrasi ve Ambrosian Sarkicilari
|| Audio CD: [[Philips]] <br/> Cat: 000942602
|-
|| 1996
|| New York
|| Richard Leech<br/>Samuel Ramey<br/>Patricia Racette]]<br/>June Anderson,<br/>Luciano Pavarotti
|| James Levine,<br/>Metropolitan Opera Orkestrasi ve Korosu
|| Audio CD: Decca Cat: 455 287-2
|-
|| 2001
|| 16,18 Kasım 2001<br/>Teatro Ponchielli di Cremona'da canlı yayın
|| Francesco Piccoli,<br/>Giorgio Surjan,<br/>Graziella Merrino,<br/>Dimitra Theodossiou,<br/>Massimo Giordano
|| Tiziano Severini,<br/>Orchestra I Pommeriggi Musicali di Milano ve Circuito Lirico Lombardo Korosu
|| Audio CD: Dynamic CDS 390/1-2
|}
 
=== Seçilmiş video diskleri ===
 
{| class="wikitable"
! Yayım yılı
! Kayıt tarihi ve yeri
! width="180"|Roller<br/>Arvino, Pagano, Viclinda, Giselda, Oronte)
! Orkestra şefi<br/>Operaevi, orkestra ve koro
! Marka
|-
||1984
||Nisan 1984<br/>[[Teatro alla Scala]]
||Carlo Bini,<br/>Silvano Carroli,<br/>Luisa Vannini,<br/>Ghena Dimitrova,<br/>José Carreras
||Gianandrea Gavazzeni,<br/>Teatro alla Scala Orkestra ve korosu, Milano
||DVD: Warner Music Vision,<br/>Cat: 0927 44927 1<br/>Kultur,<br/>Cat: D 2036
|-
||2009
|| Ocak 2009<br/>[[Teatro Regio di Parma]]
|| Roberto di Biasio,<br/>Michele Pertusi,<br/>Christina Giannelli,<br/>Dimitra Theodossiou,<br/>Francesco Meli
|| Daniele Calligari,<br/>Teatro Regio di Parma Orkestrasi ve Korosu
|| DVD ve Blu-ray: C-Major,<br/>Cat: 721808
|}
 
==Kaynakça==
{{kaynakça}}
* İngilizce Wikipedi "I Lombardi alla prima crociata" maddesinden kısmen çeviri [[https://en.wikipedia.org/wiki/I_Lombardi_alla_prima_crociata]]
 
==Dış Bağlantılar==
 
*[http://www.giuseppeverdi.it/stampabile.asp?IDCategoria=162&IDSezione=581&ID=19889 Libretto (İtalyanca)]
* [http://www.aria-database.com/cgi-bin/aria-search.pl?opera=I+Lombardi+alla+Prima+Crociata&a Arias on aria-database.com]
*[http://www.operaorchestrany.org/index2.html OONY website with 2012-13 season productions]
*[http://www.giuseppeverdi.it/visInglese/page.asp?IDCategoria=3648&IDSezione=24876&ID=466439 Verdi: "The story" and "History"] (İngilizce){{ing}}
* "YouTube" websitesinde "Verdi - I Lombardi alla prima crociata - Callegari" Tüm operanın video kaydı [[https://www.youtube.com/watch?v=xHR9vPSIY_4]]
 
==Kaynakça==
{{kaynakça}}
 
{{Giuseppe Verdi operaları}}
"https://tr.wikipedia.org/wiki/I_Lombardi_alla_prima_crociata" sayfasından alınmıştır