Alfred Hitchcock: Revizyonlar arasındaki fark
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177. satır:
====''Dial M for Murder'' and ''Rear Window''====
[[Dosya:Rearwindow trailer 2.jpg|thumb|left|alt= Still image from the film Read Window featuring Stewart and Kelly|[[James Stewart]] and [[Grace Kelly]] in ''[[Rear Window]]'' (1954)]]
''İtiraf Ediyorum'''u [[Grace Kelly]]'nin başrolde oynadığı üç renkli film takip etti: [[Cinayet Var|''Cinayet Var'']] (1954), ''[[Arka Pencere]]'' (1954), and ''[[To Catch a Thief|Kelepçeli Aşık]]'' (1955). Cinayet Var'da [[Ray Milland]] zengin ve sadakatsiz karısını öldürmeye çalışan bir kocayı oynuyordu. Ancak kadın kocasının tuttuğu kiralık katili öldürür, Milland da olayı karısının işlediği bir cinayete dönüştürmeye çalışır. Kadının aşığı Mark Halliday ([[Robert Cummings]]), ve polis komiseri Hubbard ([[John Williams (oyuncu)|John Williams]]) kadını idamdan kurtarmaya çalışırlar. Hitchcock bu filmi ile [[üç boyutlu film]] denemesinde bulundu.<ref name="Leitch 2002. p. 78-80">{{harvnb|Leitch|2002|p=78}}</ref> Hitchcock experimented with [[3-D film|3D cinematography]] for ''Dial M''.<ref>{{cite news |last1=French |first1=Philip |title=Dial M for Murder 3D – review |url=https://www.theguardian.com/film/2013/jul/28/dial-m-for-murder-3d-review |work=The Observer |date=28 July 2013|access-date=30 December 2017|archive-url=https://web.archive.org/web/20160722232944/https://www.theguardian.com/film/2013/jul/28/dial-m-for-murder-3d-review|archive-date=22 July 2016|url-status=live}}</ref>
<!--when did he move to Paramount? — Rear Window, To Catch a Thief, The Trouble with Harry (1955), The Man Who Knew Too Much (1956), Vertigo (1958), North by Northwest (1959), Psycho (1960)-->Hitchcock moved to [[Paramount Pictures]] and filmed ''[[Rear Window]]'' (1954), starring James Stewart and Kelly again, as well as [[Thelma Ritter]] and [[Raymond Burr]]. Stewart's character is a photographer (based on [[Robert Capa]]) who must temporarily use a wheelchair. Out of boredom, he begins observing his neighbours across the courtyard, then becomes convinced that one of them (Raymond Burr) has murdered his wife. Stewart eventually manages to convince his policeman buddy ([[Wendell Corey]]) and his girlfriend (Kelly). As with ''Lifeboat'' and ''Rope'', the principal characters are depicted in confined or cramped quarters, in this case Stewart's studio apartment. Hitchcock uses close-ups of Stewart's face to show his character's reactions, "from the comic voyeurism directed at his neighbours to his helpless terror watching Kelly and Burr in the villain's apartment".<ref>{{harvnb|Leitch|2002|p=269}}</ref>
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