Büyük Budapeşte Oteli: Revizyonlar arasındaki fark
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== Değerlendirme ==
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The Grand Budapest Hotel is a British-German co-production of Grand Budapest Limited (UK) and Neunzehnte Babelsberg Film GmbH (Germany).[3][12][13][22] The film was funded by the German Federal Film Fund (DFFF), Mitteldeutsche Medienförderung, Medienboard Berlin-Brandenburg as well as Medien- und Filmgesellschaft Baden-Württemberg.[12][23]
It was filmed entirely on location in Germany, mainly in Görlitz and other parts of Saxony as well as at Studio Babelsberg.[24] Principal photography began in January 2013 on location in Berlin and Görlitz.[25] One of the principal locations was the defunct Görlitzer Warenhaus, a huge Jugendstil department store with a giant atrium, one of the few such department stores in Germany to survive World War II. It served as the atrium lobby of the hotel. Filming concluded in March 2013 in Germany, with set pictures featuring Goldblum, Wilson, Dafoe, and Norton emerging online.[26]
Anderson chose to shoot the film in three aspect ratios, 1.33, 1.85, and 2.35:1, one for each timeline.[27]
For wide shots of the hotel, Anderson went with a three meter tall handmade miniature model because he felt that, since audiences would know that the shot was artificial, computer-generated effects or otherwise, "The particular brand of artificiality that I like to use is an old-fashioned one."[28] He had previously used miniatures in The Life Aquatic with Steve Zissou and more extensively in Fantastic Mr Fox. In designing the hotel, Anderson and production designer Adam Stockhausen did extensive research, looking at vintage images at the Library of Congress of hotels and European vacation spots, as well as existing locales such as the Palace Bristol Hotel[29] and the Grandhotel Pupp in the spa town of Karlovy Vary (Carlsbad), Czech Republic and the Grandhotel Gellért in Budapest.[30][31] The model used varying scales: the hotel model was 14 feet long and 7 feet deep, the tree-spotted hill on which it stood was a different scale, and finally the funicular railway in the foreground was built to a third scale to capture it best cinematically.[28]
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Joe Neumaier of the New York Daily News gave the film three out of five stars, saying "As with all of Anderson's films, the magic is in the cast. Fiennes, with his rapid-fire delivery and rapier mustache, is hilarious, dapper and total perfection."[48] Peter Travers of Rolling Stone gave the film three and a half out of four stars, saying "It's a filigreed toy box of a movie, so delicious-looking you may want to lick the screen. It is also, in the Anderson manner, shot through with humor, heartbreak and a bruised romantic's view of the past."[49] Kenneth Turan of the Los Angeles Times gave the film a positive review, saying "Anderson works so assiduously to create obsessively detailed on-screen worlds that the effect has sometimes been hermetic, even stifling. "The Grand Budapest," however, is anything but."[50] Kate Erbland of Film.com gave the film an 8.2 out of 10, saying "Anderson has abandoned a bit of his whimsical nature for the later portions of the film, but the film’s first half hour presents one of his most darling settings yet, until, of course, it all crumbles into murder, mayhem and bad renovations."[51] Ian Buckwalter of NPR gave the film a nine out of ten, saying "Grand Budapest is a culmination of the tinkly music-box aesthetic of Anderson's work to date, turned up to 11."[52] Stephen Whitty of the Newark Star-Ledger gave the film three and a half stars out of four, saying "While Anderson delights in creating a fictional (but very real) mittel-Europe, he also does it with the craft of old Hollywood, using carefully made miniatures and handpainted backdrops."[53] Tim Stanley of The Daily Telegraph concurs that while normally "Anderson writes about the American aristocracy", his latest film "about the European upper-crust...gets us perfectly. Anderson understands that the elegance of the Grand Budapest is just a facade, that beneath the glitter is the cancer of greed and fascism."[54] A. O. Scott of The New York Times gave the film a positive review, saying "This movie makes a marvelous mockery of history, turning its horrors into a series of graceful jokes and mischievous gestures. You can call this escapism if you like. You can also think of it as revenge."[55]
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== Oyuncu kadrosu ==
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