"Arslanhane" sayfasının sürümleri arasındaki fark

 
== Tanım ==
İlk şapel hakkında sadece yapımında kullanılan iki mermer sütunun [[Selanik]]'ten getirildiği bilinmektedir.<ref name=ja2_111>Janin (1964) p. 111 </ref>
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1493 Nuremberg Chronicle'a ait kentin bir tasviri, Nasûh al Matrakçî tarafından yapılmış bir 1532 tasviri [9] ve 1804'te Venedik'te basılan bir coğrafya kitabındaki bir gravür [10] kilisenin günümüze ulaşan tek görüntüsüdür ikincisinde bina zaten harabe halinde temsil edilmektedir. [2] Yapı, kesme taş ve tuğladan yapılmış, merkezi planlı ve iki katlı bir kubbe ile örtülmüş görünmektedir. [2] Üst kat iki yarım kubbeyle çevriliydi ve önünde bir teras vardı. [2] Her iki kat da pencerelerle delinmiştir. Kilise içten değerli vazolar ve ikonalarla (Beyrut'tan gelen ünlü İsa ikonu [11] gibi) süslenmiş ve tablolar ve mozaiklerle cömertçe dekore edilmiştir. [1] [2] Bunların kalıntıları ve Yunanca yazıtlar on sekizinci yüzyıla kadar iç mekanda hala görülebiliyordu. [2] John Tzimiskes, kiliseye aralarında İsa'nın sandaletleri ve Vaftizci Aziz John'un saçlarının da bulunduğu çeşitli kalıntılar bağışladı [1] ve mezarı altın ve emayeden yapılmış mezarın içine inşa ettirdi.
About the first chapel it is only known that two marble columns used for its construction were brought from [[Thessaloniki]].<ref name=ja2_111>Janin (1964) p. 111 </ref> A representation of the city belonging to the 1493 [[Nuremberg Chronicle]], another of 1532 painted by [[Matrakçı Nasuh|Nasûh al Matrakçî]], <ref name=mw71>Müller-Wiener (1976), p. 71</ref> and an engraving in a geography book published in [[Venice]] in 1804<ref>This is the ''Géographie des quatre parties du monde'' written by the [[Armenian people|Armenian]] Father Ingigian of the [[San Lazzaro degli Armeni]]'s monastery in Venice. Müller-Wiener (1976) p. 81. Balbi, (1824) p. 4</ref> are the only three extant images of the church, although in the latter the building is represented as already in ruins.<ref name=mw81/> The edifice appears to be made of ashlar and brick, with a central plan and two storeys surmounted by a dome.<ref name=mw81/> The upper storey was flanked by two half domes and was preceded by a terrace.<ref name=mw81/> Both storeys were pierced by windows. Internally the church was adorned with precious vases and [[icon]]s (such as the famous icon of Christ coming from Beirut<ref>Alice Mary Talbot y Denis F. Sullivan : « The History of Leo the Deacon » - Washington, 2005, p.209</ref>), and lavishly decorated with paintings and mosaics.<ref name=ja544/> <ref name=mw81/> The remains of these, as well as of inscriptions in Greek, were still visible in the interior until the eighteenth century.<ref name=mw81/> John Tzimiskes endowed the church with several [[Relics#Christianity|relics]], among them the alleged sandals of Jesus and the hair of [[St. John the Baptist]],<ref name=ja544/> and had his tomb, made of gold and [[Vitreous enamel|enamel]], built in the crypt.<ref name=ja2_111/>
 
About the first chapel it is only known that two marble columns used for its construction were brought from [[Thessaloniki]].<ref name=ja2_111>Janin (1964) p. 111 </ref> A representation of the city belonging to the 1493 [[Nuremberg Chronicle]], another of 1532 painted by [[Matrakçı Nasuh|Nasûh al Matrakçî]], <ref name=mw71>Müller-Wiener (1976), p. 71</ref> and an engraving in a geography book published in [[Venice]] in 1804<ref>This is the ''Géographie des quatre parties du monde'' written by the [[Armenian people|Armenian]] Father Ingigian of the [[San Lazzaro degli Armeni]]'s monastery in Venice. Müller-Wiener (1976) p. 81. Balbi, (1824) p. 4</ref> are the only three extant images of the church, although in the latter the building is represented as already in ruins.<ref name=mw81/> The edifice appears to be made of ashlar and brick, with a central plan and two storeys surmounted by a dome.<ref name=mw81/> The upper storey was flanked by two half domes and was preceded by a terrace.<ref name=mw81/> Both storeys were pierced by windows. Internally the church was adorned with precious vases and [[icon]]s (such as the famous icon of Christ coming from Beirut<ref>Alice Mary Talbot y Denis F. Sullivan : « The History of Leo the Deacon » - Washington, 2005, p.209</ref>), and lavishly decorated with paintings and mosaics.<ref name=ja544/> <ref name=mw81/> The remains of these, as well as of inscriptions in Greek, were still visible in the interior until the eighteenth century.<ref name=mw81/> John Tzimiskes endowed the church with several [[Relics#Christianity|relics]], among them the alleged sandals of Jesus and the hair of [[St. John the Baptist]],<ref name=ja544/> and had his tomb, made of gold and [[Vitreous enamel|enamel]], built in the crypt.<ref name=ja2_111/>
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