'''Aranjör''', [[ Müzisyenmüzisyen]]lerin yaptığı [[sanat]]ın düzenlenmesini yapan kişidir. Yapılan sanatın uyum, ahenk ve işleyişine yön verir. Genellikle yazılı kompozisyonları düzenler. Düzeneleme bazen kısmi bazende tamamen olabilir. Müziğin [[armonik]], [[melodik]] ve [[ritmik]] yapısını uyumlu hale getirir. ▼
{{çeviri}}
▲[[Müzisyen]]lerin yaptığı [[sanat]]ın düzenlenmesini yapan kişidir. Yapılan sanatın uyum, ahenk ve işleyişine yön verir. Genellikle yazılı kompozisyonları düzenler. Düzeneleme bazen kısmi bazende tamamen olabilir. Müziğin [[armonik]], [[melodik]] ve [[ritmik]] yapısını uyumlu hale getirir.
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== Klasik müzik ==
Klasik müzik [[Transkripsiyon (dilbilim)|transkripsiyon]]ları müziğin en eski yapılarındandır. Genel olarak [[piyano]] kullanılmıştır. [[Modest Mussorgsky]]'nin düzenlediği [[Pictures at an Exhibition]] bu türün en önemlilerindendir. Belki yirmiden fazla kere düzenlenen bestenin en önemli düzenleyicisi [[Maurice Ravel]] olmuştur. Aranjörlüğünü [[Ferde Grofé]] yaptığı ABD'li besteci [[George Gershwin]] ''[[Rhapsody in Blue]]'' bestelemiştir.<ref>Greenberg, Rodney: ''George Gershwin'', page 66. Phaidon Press, 1998. ISBN 0-7148-3504-8.</ref>
==Popular musicKaynakça ==
{{kaynakça}}
Arrangers in pop music recordings often add parts for orchestral or band instruments involving new material such that the arrangers may reasonably be considered co-composers, although for copyright and royalty purposes usually are not.{{Citation needed|date=July 2008}} Rhythm section parts are usually improvised or otherwise invented by the performers themselves using chord symbols or a lead sheet as a guide.{{Citation needed|date=July 2008}} (Rhythm section instruments usually include guitars, bass guitars, string basses, piano and other keyboard instruments, and drums.)
An existing pop song can be re-recorded with a different arrangement to the original. As well as different instruments, the [[tempo]], [[time signature]] and [[key signature]] may be altered, sometimes drastically so. The end result is a song that retains familiar phrases and lyrics, but offers something new.{{Citation needed|date=July 2008}} This practice was particularly popular in the late 1960s. Well known examples of this include [[Joe Cocker]]'s version of [[The Beatles]]' [[With a Little Help from My Friends]], and [[Ike Turner|Ike And Tina Turner]]'s version of [[Creedence Clearwater Revival]]'s [[Proud Mary]]. The American group [[Vanilla Fudge]] and British group [[Yes (band)|Yes]] based their early careers on radical re-arrangements of contemporary hits.{{Citation needed|date=July 2008}}
Some [[remix]]es, particularly in [[dance music]], can also be considered re-arrangements in this style.{{Citation needed|date=July 2008}}
==Jazz==
{{Refimprove|section|date=July 2008}}
In jazz an unscored collaborative arrangement is called a "'''head arrangement'''" (Randel 2002, p. 294; it is in the head of the musician(s)). Big bands such as those of Duke Ellington (at the very beginning of his carrier), Bennie Moten, and Count Basie performed head arrangements (ibid).
Arrangements for small jazz combos are usually informal, minimal, and uncredited. This was particularly so for combos in the [[bebop]] era. In general, the larger the ensemble, the greater the need for a formal arrangement, although the early [[Count Basie]] [[big band]] was famous for its ''head'' arrangements, so called because they were worked out by the players themselves, memorized immediately and never written down. Most arrangements for large ensembles, ''big bands'', in the [[swing music|swing]] era, were written down, however, and credited to a specific arranger, as were later arrangements for the Count Basie big band by [[Sammy Nestico]] and [[Neal Hefti]]. [[Don Redman]] made significant innovations in the pattern of arrangement in [[Fletcher Henderson]]'s orchestra in the 1920s. He introduced the pattern of arranging melodies in the body of arrangements and arranging section performances of the big band. [[Billy Strayhorn]] was an arranger of great renown in the [[Duke Ellington]] orchestra beginning in 1938.
[[Jelly Roll Morton]] is considered the earliest jazz arranger, writing down the parts when he was touring about 1912-1915 so that pick-up bands could play his compositions. Big band arrangements are informally called ''charts''. In the swing era they were usually either arrangements of popular songs or they were entirely new compositions. [[Duke Ellington]]'s and [[Billy Strayhorn]]'s arrangements for the Duke Ellington big band were usually new compositions, and some of [[Eddie Sauter]]'s arrangements for the [[Benny Goodman]] band and [[Artie Shaw]]'s arrangements for his own band were new compositions as well. It became more common to arrange sketchy jazz combo compositions for big band after the bop era.
After 1950, the big band trend declined in number. However, several bands continued and arrangers provided renowned arrangements. [[Gil Evans]] wrote a number of large-ensemble arrangements in the late fifties and early sixties intended for recording sessions only. Other arrangers of note include [[Vic Schoen]], [[Pete Rugolo]], [[Oliver Nelson]], [[Johnny Richards]], [[Billy May]], [[Thad Jones]], [[Maria Schneider (musician)|Maria Schneider]], [[Bob Brookmeyer]], [[Steve Sample, Sr]], [[Lou Marini]], [[Nelson Riddle]], [[Ralph Burns]], [[Billy Byers]], [[Gordon Jenkins]], [[Ray Conniff]], [[Henry Mancini]], [[Gil Evans]], [[Gordon Goodwin]], and [[Ray Reach]].
{| class="wikitable"
|+Further reading
!Name
!Author
|-
|''Inside the score: A detailed analysis of 8 classic jazz ensemble charts by Sammy Nestico, Thad Jones and Bob Brookmeyer''
|Rayburn Wright
|-
|''Sounds and Scores : A Practical Guide to Professional Orchestration''
|Henry Mancini
|-
|''Arranged by Nelson Riddle''
|Nelson Riddle
|}
== See also ==
* [[Transcription (music)]]
* [[Orchestration]]
* [[Musical Notation]]
* [[American Society of Music Arrangers and Composers (ASMAC)]]
* [[List of music arrangers]]
* [[:Category:Music arrangers]]
== Notes ==
<references />
== Sources ==
* {{cite book |last=Corozine |first=Vince |title=Arranging Music for the Real World: Classical and Commercial Aspects |year=2002 |publisher=Mel Bay |location=Pacific, MO |isbn=0-7866-4961-5 |oclc=50470629 |ref=Corozine}}
* Randel, Don Michael (2002). ''The Harvard Concise Dictionary of Music and Musicians''. ISBN 0674009789.
{{Music industry}}
{{Music topics}}
[[Kategori:Müzik terimleri]]
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